Editorial photography is all about the narrative—setting the scene, capturing the motion and emotion, details alongside more posed and directed images. I find this contrast breathes life into photos so they feel polished, but never staged. Luxe, but true to you. I style and direct just enough to create something refined, then leave room for the in-between moments that make it personal.
I approach photography the way I approach life in New York: with a vision, but always open to the kismet that unfolds along the way. Each gallery balances refined editorial portraits with fleeting, unscripted moments that make your story yours.
Fashion, architecture, and design are my constant touchstones. I collect vintage pieces and mix them with everyday staples, curate my apartment with fresh flowers and stacks of photo books, and find as much joy in a gallery opening as I do in styling a friend just for fun. Inspiration can be found from the elegance of a runway or a design market, but I also find it in the quiet of small towns and sunsets. For me, it’s always about contrast — the refined and the spontaneous, the timeless and the fleeting. The same balance I strive to bring into every frame I create.
When I’m not behind the camera, I immerse myself in the things that keep me inspired: mornings at The Met, afternoons drifting through vintage bookstores, or long brunches with friends at cafés where the croissants are worth crossing the city for. Life in New York fuels me, but I balance that energy with intentional escapes. Weekend drives through Hudson Valley, hosting dinner parties, or a quick flight when Europe is calling.
Where Inspiration Meets Reverie
that felt effortless from start to finish"
our day looked, but how it felt"
what mattered most to us”
